What underlies Guacolda's work is the line. The line as an imprint, link, vibration or weft. The line furrow engraved in the plate, the surface line, drawings and paintings, or the line-thread makes matter. Her work invokes bodies and portraits of men, women, reference figures from the history of art, self-portraits, through wefts and superpositions. For example, she merges figures from religious culture with modern references such as film actors, people from her entourage. Her artistic approach is intended as an invitation to interpret the line, the detail in each work. The wefts of her creations, lines of paint, ink or thread, create a vibration. Blur the limits, the figures, the realities to propose another vision of reality, free of interpretation.
